To mark the 150th anniversaries of the Royal Institute of British Architects and the Chartered Institute of Building, a set of four very elegant stamps took town planning as a theme, each showing a view of a city and a related blueprint.
One particularly attractive and effective aspect of all the designs is the three-dimensional effect of the scroll which rolls back to reveal the reality of the buildings detailed in on the plans.
The 28p stamp shows the Bristol Exhibition Centre in Bush House, built in what had been part of the city’s thriving port area.
One of the most stunning Christmas sets was based on illuminated letters from the Acts of Mary & Joseph, a medieval Italian manuscript housed in Oxford University’s Bodleian Library.
The 24p value shows the Virgin Mary looking at the baby Jesus, who has a startlingly adult face, lying in a stall in the manager with a humble beast of the field looking on through the open window.
The golden and red tones of the stamp, and the oak leaf border of the letter ‘M’ (for Maria), make this an appropriately rich and beautiful philatelic essay.
Many modern British stamps have been criticised for being essentially a photograph with the Queen’s head and inscription added, and that’s just what this one is.
But what a stunner!
A single specimen of autumn crocus is lit classically against a black background, highlighting the stem and flower’s varying hues of light green, purple, puce and white.
The colours combine with the angle of the petals to the lens, suggesting a raised hand, to make this a breathtaking composition.
Available from counter sheets and miniature sheets, this set celebrating the 150th anniversary of the double-decker looks most striking in the former guise.
That’s because it comes in a se-tenant strip of five illustrating 16 buses, parked in a row as if lined up in a bus garage.
But of course you wouldn’t get so much historical variety in any normal bus garage.
The 1980 set was among the most elegant of all Christmas issues, and the star of the group of five was the highest value, depicting a display of satin brocade and shining pendants with holly.
The arc of decorated foliage and the complete symmetry of the design suggest security and a welcoming door, beyond which are to be found many treats of the traditional British festive season.
With its deceptively simple design of green and red on white, this stamp epitomises Christmas, and has a very large ‘wow factor’.
Industry Year was a campaign by the RSA (Royal Society for the Encouragement of Arts, Manufactures & Commerce) to promote and explain industry to the community.
Of the four stamps with a similar design concept, it’s the 34p that catches the eye.
It stars a mouth-watering loaf of crusty bread, well lit against a background of a vast field of corn, under blue skies.
Fittingly, in a set which was issued expressly to mark the 50th anniversary of the National Trust for Scotland, the most evocative design is one of the two showing Scottish views.
Capturing the sunlight streaming down onto Loch Shiel, it highlights the desolate beauty of Glenfinnan, and the 60ft monument of a clansman which was raised in 1815 by Alexander MacDonald of Glenaladale to commemorate the start of the fateful last Jacobite rising in 1745.
One of David Gentleman’s best pieces of design was the set of four honouring champions of reform in the spheres of factory exploitation, child labour, trade unionism and prison conditions.
Dark-hued and bleak, and cleverly showing hands set in very adverse situations, each stamp sums up in an instant what the problem was.
The 11p value highlights the cruel Victorian use of child chimney sweeps, evoking the soot-polluted environment of narrow, jagged, crumbling brickwork through which small boys were forced to crawl.
Royal Mail’s Seaside Architecture stamp issue, to be released on September 18, celebrates the infrastructure that makes the uniquely British seaside holiday possible.
Six stamps from counter sheets feature piers, lidos, bandstands and shelters from around the UK’s most popular resort towns, aiming to illustrate a wide range of architectural styles from their heydays.
An accompanying four-stamp miniature sheet concentrates on the theme of piers, showing four from the Victorian era.
