Royal Mail has declared that Britain is entering ‘a new era for stamps’, as it introduces data matrix codes (also known as 2D barcodes) across the full range of self-adhesive Machin definitives.
Digitally coded 1st class, 2nd class, 1st Large and 2nd Large stamps were issued on February 1, in a new range of colours.
The existing make-up values of 1p, 2p, 5p, 10p, 20p, 50p, £1, £2, £3 and £5 will also be replaced with barcoded stamps on April 4.
Royal Mail issues a set of stamps and a miniature sheet on January 20 to celebrate the 60th anniversary of The Rolling Stones, one of Britain’s most successful rock bands.
Unlike previous issues in the Music Giants series, from 2016-21, the eight counter sheet designs do not reproduce album covers but focus on the Stones as a live act, from archive photographs.
Of the four stamps in the miniature sheet, two feature posed photographs of the band and two reproduce promotional posters for their tours.
The first ever British stamp which could be called spectacular was the top value in a set of five issued to coincide with the ninth Congress of the Universal Postal Union in London.
It is still worshipped by collectors.
At the centre, engraved with amazing finess, is the figure of St George killing the dragon.
This wonder of elegance was the fifth essay produced by the designer to this particular remit, but it was well worth waiting for.
With its narrow frame and bevelled border, the high-value from the Royal Silver Wedding set of two is a stunningly handsome stamp.
A bold but distinguished design, based on a regal photograph by Dorothy Wilding, it resembles the photo-portraits of the King and Queen that many British families had on the walls of their lounges during the war years, in order to assert their national pride and keep up their spirits.
A stamp marking the development of the astronomical telescope as an achievement of the millennium, and name-checking Isaac Newton as a pioneer of the science, carried a very simple and yet absolutely breathtaking image.
It’s a photograph taken by the Hubble Space Telescope, presenting false-colour imagery of the gas giant Saturn, the most visibly dramatic planet in our solar system, against the backness of space.
The planet’s mysterious and fantastically complicated ring system, first observed by Galileo in 1610, is made up of ice, rock debris and dust, with the darker Encke gap caused by the presence of the tiny moon Pan between the inner and outer elements.
This stamp depicts a magnificent piece of regalia worn only once in any monarch’s lifetime: the solid gold St Edward’s Crown first used for the coronation of King Charles II, who had it made to replace the one destroyed by Oliver Cromwell.
Reproduced in gold and a very regal shade of red, the image is classier than it would have been if it had attempted to show the emeralds, rubies, sapphires and pearls which adorn the crown in full colour.
The glorious detail remains, including the cross pattées and fleurs-de-lis above the ermine border, the gold monde at the intersection of the arches and the jewelled cross atop it.
One of the most joyous Christmas issues ever took as its theme that beloved personality of the British winter, the robin redbreast.
Whilst four of the stamps were akin to Christmas card images, the lowest value was a gem.
Its simple beauty lies partly in the contrasts between the red of the postbox and that of the bird’s plumage, and between the silvery white of the smattering of snow and the silver of the Queen’s head.
In an attempt to plug the hole it had punched in its traditional issuing policy, the GPO insisted this was not an issue honouring Shakespeare himself, whose 400th birthday it was, but one commemorating the Shakespeare Festival as an event.
Nevertheless, this was a ground-breaking and controversial issue, the first to depict a commoner.
In a multi-coloured set of five showing scenes from plays, the only recess-printed stamp, and the only one to name the play in question, was the monotone top value in deep slate purple illustrating the hapless Hamlet contemplating mortality.
Royal Mail issued a set of eight stamps on October 19 to celebrate the passion of rugby union, marking the 150th anniversaries of the formation of the Rugby Football Union and the first international match.
The dynamic designs feature famous players and iconic moments in key international matches within living memory, giving equal billing to the four nations of the British Isles.
They also give equal coverage to the men’s and women’s games, even though the first Women’s Home Nations Championship was staged as recently as 1996.
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